
Mozart: Piano Concertos Nos 9 & 22 (Import)
Celebrated Canadian pianist Jan Lisiecki returns to Wolfgang Amadeus Mozart, a decade after he devoted his Deutsche Grammophon debut to the composerās oeuvre (ābeautiful Mozart playing, direct, unmannered and freshā ā The New York Times). Marking the 270th anniversary of Mozartās birth, Lisieckiās new recording presents a contrasting but complementary pair of works in E flat major, Concertos Nos. 9 and 22. Two āsingular masterpiecesā, even among Mozartās many superlatives in the genre. āRecording these works was a dream of mine,ā says Lisiecki, āand Iām very glad to have been able to do so with a dream team too. Joining the pianist are conductor Manfred Honeck and the players of the Bamberger Symphoniker, who share Lisieckiās affinity and respect for Mozart and together convey āthe phrasing, the elegance, the beautyā of these works. āEngaging with the genius of Mozartās music is a true privilege. It is characterized by purity, elegance, emotional depth, intellectual challenge, and profound rewards,ā says the pianist.
Lisieckiās 2025 live concerts of the works were highly praised: āHis technical fluency made his performance seem effortless, but not easy. The melancholy Andante came off as boldly expressive but not overdramatic. The final Allegro sparkled with wit and incisiveness. Lisieckiās cadenzas throughout went beyond technical expertise to an almost heavenly level.ā (Bachtrack)
TRACKLISTING:
Piano Concerto No. 9 in E flat major āJeunehommeā K 271
1. Allegro
2. Andantino
3. Rondeau. Presto
Piano Concerto No. 22 in E flat major K 482
4. Allegro
5. Andante
6. Allegro
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Mozart: Piano Concertos Nos 9 & 22 (Import)
Celebrated Canadian pianist Jan Lisiecki returns to Wolfgang Amadeus Mozart, a decade after he devoted his Deutsche Grammophon debut to the composerās oeuvre (ābeautiful Mozart playing, direct, unmannered and freshā ā The New York Times). Marking the 270th anniversary of Mozartās birth, Lisieckiās new recording presents a contrasting but complementary pair of works in E flat major, Concertos Nos. 9 and 22. Two āsingular masterpiecesā, even among Mozartās many superlatives in the genre. āRecording these works was a dream of mine,ā says Lisiecki, āand Iām very glad to have been able to do so with a dream team too. Joining the pianist are conductor Manfred Honeck and the players of the Bamberger Symphoniker, who share Lisieckiās affinity and respect for Mozart and together convey āthe phrasing, the elegance, the beautyā of these works. āEngaging with the genius of Mozartās music is a true privilege. It is characterized by purity, elegance, emotional depth, intellectual challenge, and profound rewards,ā says the pianist.
Lisieckiās 2025 live concerts of the works were highly praised: āHis technical fluency made his performance seem effortless, but not easy. The melancholy Andante came off as boldly expressive but not overdramatic. The final Allegro sparkled with wit and incisiveness. Lisieckiās cadenzas throughout went beyond technical expertise to an almost heavenly level.ā (Bachtrack)
TRACKLISTING:
Piano Concerto No. 9 in E flat major āJeunehommeā K 271
1. Allegro
2. Andantino
3. Rondeau. Presto
Piano Concerto No. 22 in E flat major K 482
4. Allegro
5. Andante
6. Allegro
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Celebrated Canadian pianist Jan Lisiecki returns to Wolfgang Amadeus Mozart, a decade after he devoted his Deutsche Grammophon debut to the composerās oeuvre (ābeautiful Mozart playing, direct, unmannered and freshā ā The New York Times). Marking the 270th anniversary of Mozartās birth, Lisieckiās new recording presents a contrasting but complementary pair of works in E flat major, Concertos Nos. 9 and 22. Two āsingular masterpiecesā, even among Mozartās many superlatives in the genre. āRecording these works was a dream of mine,ā says Lisiecki, āand Iām very glad to have been able to do so with a dream team too. Joining the pianist are conductor Manfred Honeck and the players of the Bamberger Symphoniker, who share Lisieckiās affinity and respect for Mozart and together convey āthe phrasing, the elegance, the beautyā of these works. āEngaging with the genius of Mozartās music is a true privilege. It is characterized by purity, elegance, emotional depth, intellectual challenge, and profound rewards,ā says the pianist.
Lisieckiās 2025 live concerts of the works were highly praised: āHis technical fluency made his performance seem effortless, but not easy. The melancholy Andante came off as boldly expressive but not overdramatic. The final Allegro sparkled with wit and incisiveness. Lisieckiās cadenzas throughout went beyond technical expertise to an almost heavenly level.ā (Bachtrack)
TRACKLISTING:
Piano Concerto No. 9 in E flat major āJeunehommeā K 271
1. Allegro
2. Andantino
3. Rondeau. Presto
Piano Concerto No. 22 in E flat major K 482
4. Allegro
5. Andante
6. Allegro














